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☆ ‘Hills of California’ Review: A Stage Mother’s Unhappy Brood
▼ + stars: | 2024-02-09 | by ( Houman Barekat | ) www.nytimes.com time to read: +1 min

In Jez Butterworth’s new play, we — the audience and protagonists alike — are kept waiting and wondering. It’s the summer of 1976 and Britain is in the midst of a heat wave. They must decide whether to put her out of her misery with a high dose of morphine, or let her continue to suffer. “The Hills of California,” written by Butterworth (“The Ferryman,” “Jerusalem”) and directed by Sam Mendes (“The Lehmann Trilogy”), runs at the Harold Pinter Theater in London, through June 15. Rob Howell’s impressive set makes the most of the playhouse’s nearly 40-foot grid height, with three flights of stairs leading up to the unseen guest rooms.

Persons: Jez Butterworth’s, —, Jill, Ruby, Veronica, Joan, hasn’t, Will, Butterworth, Sam Mendes, “, Harold Pinter, Rob Howell’s Organizations: Blackpool, Harold Pinter Theater Locations: Britain, England, United States, California, ”, Jerusalem, London

☆ Review: ‘Lyonesse’ Is a Starry Mess
▼ + stars: | 2023-10-26 | by ( Matt Wolf | ) www.nytimes.com time to read: +1 min

“We dream big,” says a no-nonsense film executive early in “Lyonesse,” the starry, if overstuffed, new play that opened Wednesday night at the Harold Pinter Theater, in London. And so, too, does this West End debut from Penelope Skinner, a British playwright whose works have long enlivened small theaters on both sides of the Atlantic. The themes arrive thick and fast across nearly three hours: #MeToo, cancel culture, the tyranny of men and many others. But not even Lily James and Kristin Scott Thomas, the production’s commercial draws, can transform the scattershot material into a coherent whole. It takes courage to open a new play in the West End without a previous run somewhere else, but “Lyonesse” whimpers where it should roar.

Persons: Harold Pinter, Penelope Skinner, Lily James, Kristin Scott Thomas, Ian Rickson —, James, Kate, doesn’t Organizations: Harold Pinter Theater Locations: “, London, British

“The idea of the hysterical woman trope really does persist today,” the soprano said ahead of Thursday night’s premiere of Rene Orth’s musical adaptation at Opera Philadelphia. An all-woman creative team was commissioned to develop the work by Opera Philadelphia and Toronto’s Tapestry Opera. “I have a lot to say about women’s rights being taken away and how women are treated,” director Joanna Settle explained. Bryce-Davis views Roosevelt Island quite differently following her immersion in the traumatic story. “My sister lives on Roosevelt Island and so whenever I’m in New York, that’s where I am,” she said.

Persons: — Kiera Duffy, Nellie Bly, Rene Orth’s, “, you’re, ” Siobhan Duffy Gaffney’s, Bly, Joanna Settle, Britney Spears, Orth, ‘ ” Orth, Hannah Moscovitch, Moscovitch, David Devan, Harold Pinter’s, ”, ” Moscovitch, ” Duffy, Bess, Missy Mazzoli’s, Lars von Trier, “ I’m, Susannas, Mozart, Donizetti, Judith Blegen, Kathleen, I’m, Will Liverman, Josiah Blackwell, Raehann Bryce, Davis, Lizzie, Anthony Davis ’, Malcolm X, ” Soprano Laurel Pearl, Ratched, Daniela Candillari, Jeanine Tesori’s, Liverman, ” Liverman, ” Candillari, Andrew Leiberman, Bryce, Roosevelt Organizations: PHILADELPHIA, Opera Philadelphia, New York, Toronto’s, Philadelphia, Metropolitan Opera, Opera, Washington National Opera, Philadelphia Museum of Art, Wilma Theater Locations: New York, Vegas, Roosevelt, that’s

☆ Wrestling With His Past. And an Animatronic Shark.
▼ + stars: | 2023-07-25 | by ( Dave Itzkoff | More About Dave Itzkoff | ) www.nytimes.com time to read: +1 min

Ian Shaw has worked steadily in theater, TV and film projects while striving not to trade on the renown of his illustrious father. “You still have to have the conversation about your validity in comparison to your father,” he said. “As I’ve gotten older and more mature, I feel less burdened about that. Robert Shaw was a celebrated man of letters, a friend of Harold Pinter (whose play “Old Times” he starred in with Ure) and an accomplished playwright himself. He also made no secret of his heavy drinking, in an era when such habits were fundamental to the machismo of a generation of actors.

Persons: Ian Shaw, “, ”, I’ve, Robert Shaw’s, Mary Ure, Robert Shaw, Harold Pinter, Ure

☆ British actor Julian Sands confirmed dead, months after vanishing in California mountains
▼ + stars: | 2023-06-27 | by ( Steve Gorman | ) www.reuters.com time to read: +6 min

The manner of his death remained under investigation, awaiting further test results, the department said in an statement. The large, slopping area below the crest of Mount Baldy is a popular destination for skiers, climbers and backpackers. But authorities warned then that heavy snow from weeks of winter storms had made the area treacherous for outdoor recreation. Several subsequent searches came up empty-handed, including a major sweep conducted days before Sands' remains were ultimately found in the Mount Baldy wilderness area, according to the sheriff's department. Cellphone signals detected on Sunday, Jan. 15, had showed Sands headed toward the ridge of Mount Baldy, apparently the last indication he was still on the move, the sheriff's department reported then.

Persons: Julian Sands, David W Cerny, Sands, Mount, Julian, Rob Lowe's, Helena Bonham Carter, Satan, Helena, Harold Pinter, John Keats, Percy Shelley, Oscar, Jodie Foster, Arianna Huffington, Evgenia, Sarah Harvey, Steve Gorman, Dan Whitcomb, Tim Ahmann, Diane Craft, Lisa Shumaker Organizations: REUTERS, San, Guardian, Lord Wandsworth College, Oxford, Academy, Thomson Locations: Boletice, Czech Republic, Southern California, San Bernardino County, Baldy, San Gabriel, Los Angeles, Mount Baldy, Sands, England, Hampshire, Cambodia, California, Italy, Las Vegas

☆ Our Theater is Fighting About Diversity. Who’s Right?
▼ + stars: | 2023-05-17 | by ( Kwame Anthony Appiah | ) www.nytimes.com time to read: +2 min

But casting for a colorblind utopia can be a problem when your aim is to depict racial injustice. Nontraditional casting is of particular value where there’s a tradition to be bucked; familiar works or historical episodes can be experienced in fresh ways. In high school, I was cast as the menacing Goldberg in Harold Pinter’s 1957 play, “The Birthday Party.” (“Mazel tov! There’s a useful analogy, speaking of Goldberg variations, in the “historically informed performance” movement in music. But who would limit themselves to “authentic” performances of Bach’s “Goldberg” Variations — and thus miss the marimba player Pius Cheung’s rendition?

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